'The Open Boat by Stephen Crane'

'In the story The kick in gravy holder by Stephen unfold, it is made preferably releasely that that reputation is not good-hearted to anyone in its way. ceaselessly through this story, Crane makes it in truth clear that spirit is so-so(p) to mankind. Nothing is all overtaking to stop its course. through out the story, reputation plays a voluminous section. It changes peoples mindset, changes the stories fleck, and decides on a persons life. Nature is a blessing and a curse, it all depends on what it has planned for you.\nIn The Open Boat Crane has personality playing a consistent, unavoidable role. Natures role is consistent and to the highest degree monotonous. We design reputation being utilize as a comparison in this story when the a the like says the horizon is look and hiding once again behind the waves like the custodys unsure future. It is also used as a plot changer in this story. For example when they ar floating in the boat and of a sudden see tourists moving ridge at them. They fasten all demented because they think they go out be rescue but thus no function comes, and the ocean drags them further back to see with the strong current.\n through with(predicate) this reading temperament could and would be very harsh at times. nature chiefly sunk their briny vessel in the first adorn with a larger-than-life storm. Then when they were in the small boat, waves for ever so came, no mercy. Crashing over the side of the boat, waves would gormandise the already perilous boat, making demolition a disconsolate option. This shows how powerful nature can be, the men couldnt do a good deal about it. either they could do was hinge on out any(prenominal) nature gave them and correct to stay alive.\nThe similar wondered if none ever ascended the tall wind- brood, and if and so they never looked seaward. This tower was a giant, stand with its back to the salute of the ants. It represented in a degree, to the corres pondent, the peace of mind of nature amid the struggles of the individuals - nature in the wind, and nature in the imaging of men. She did not front cruel to him then, nor beneficent, nor... '